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Joining Mueller and Karukas in the garage studio was Jeff Pescetto, a singer-songwriter whose vocal style was influenced by the likes of Stevie Wonder, Robert Plant, Jimi Hendrix and the Beatles. Those crucial first and third lines employ a rhythmic meter called catalectic trochaic tetrameter, a rare scheme that Shakespeare uses for the lines of the fairies in Midsummer Night’s Dream (“Through the forest have I gone”). “Life is like a hurricane-” “Here in Duckburg.” “Race cars, lasers, aeroplanes-” “It’s a duck blur.” It’s not only a high point of an underrated musical form, but an exquisite miniature pop classic in its own right. For many, the DuckTales theme is inextricably tied up with happy, potent memories of childhood, of after-school television-watching and put-off homework.īut the DuckTales theme also happens to be a superb piece of music. Psychological studies tell us that the more often we hear a song, the more likely we are to enjoy it. I guess you could say the theme has pitched a tent in our house. If it isn’t me humming it, my wife will spontaneously sing a line from it and bring it back. “Ever since, this tune has been stuck in my head at least a few times per week. “Immediately after recording, the tune was basically running through my head constantly for weeks,” guitarist TJ Hill says. “It will now be stuck in my head the entire flight back to L.A.” “It’s in my head as I’m answering these questions,” Stafford told me, while preparing to board a flight at Paris’s Charles de Gaulle Airport. In the DuckTales promotional “money pit” photo op at Disney’s D23 Expo in July, the rebooted theme played on a constant loop, with many guests in the vicinity audibly humming and singing along. Search for “ DuckTales theme” on Twitter, and you’ll find Twitter users everywhere singing the same tune, literally-declaring that the tune has gotten hopelessly stuck in their heads. The music made me feel the feelings I had as a child rushing home and watching the cartoon, yet I had to act like an adult and take it seriously.”Īs a piece of music, the DuckTales theme has an extraordinary tendency, as neurologist Oliver Sacks described the phenomenon in his book Musicophilia, to “bore its way, like an earwig, into the ear or mind.” Its irresistible earworminess is so notorious that it was once the subject of an (admittedly slight) Onion joke. “I have such a nostalgic soft spot when it comes to DuckTales the cartoon, that to actually work on the theme song was a little confusing at times. “It was actually a pretty surreal experience,” says Stafford. “There was never a question as to whether we would use the original theme song in the new series,” says Jay Stutler, vice president of Disney Television Animation’s music division. The rebooted DuckTales theme was arranged by Michael “Smidi” Smith and TJ Stafford, with former American Idol contestant Felicia Barton on lead vocals. It’s more of an “oh-oh!” in Finnish the Norwegians go for “ah-ha!” the Polish offer a frisky “yoo-oo!” He’s worth billions in gold, in dollars.” Even the “woo-hoo!” gets fine-tuned from culture to culture. The French version emphasizes Scrooge’s impressive status and wealth: “He’s the greatest boss of all the city. Here, almost everybody lives.” The Spanish theme promises “many adventures … with the bad guys and also the good ones”. Scrooge, Donald, people and animals offer you excitement. Roughly translated, the opening lines of the Norwegian version are “Come along … meet an acquaintance. That unfortunateness aside, Mueller’s theme song was free to become a global phenomenon. Only in Korea, and only for a time, did the show have a completely different theme song: a nauseating little ditty, replete with irritating quacking noises and performed by children. It was the first American cartoon broadcast in the former Soviet Union after the Cold War in Hungary, those born in the early-to-mid 80s are known as “the DuckTales generation” (Kacsamesék generáció). I just couldn’t believe they recognized my voice.”ĭuckTales aired in more than 100 countries in 25 different languages. “A group of guys from England walked up and said, ‘We heard your voice and knew right away that it was the guy who sings the DuckTales theme song.’ They were so excited to meet me. “Just recently I was playing with my band at a club,” says Jeff Pescetto, the theme’s original singer. “Sometimes they won’t know my pop hits.” (For one, Mueller co-wrote Jennifer Paige’s 1998 hit “Crush.”) “But almost everywhere I’ve gone, people know DuckTales. “When people find out what I do for a living, they’ll always ask if they’d know one of my songs,” he says. Mueller is regularly astonished by the pervasiveness of his own creation. Ananth Info Solutions offers vital business assistance and advice to ensure that your business application is always up and running. Support: All of your queries and requests are handled through our dedicated support platform. 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Popular Maps: A Day at School, Legends Open RPG, Kyprion Pact It wasn’t easy to win in a way that reminds me of PlayerUnknown’s Battlegrounds. I spent a lot of time playing these due to the high skill cap. On the more popular maps you could only be shot once before you were downed, so positioning was incredibly important. There was a lot of variety in how gameplay mechanics were implemented with paintball maps, but generally speaking you would need to stealth around the map and carefully track and shoot enemies. Popular Maps: Sniper Elite, Team Fortress, V-TEC Paintball It wasn’t a great use of time, but players cared very much about their public win/loss record, and this was a cheap way to inflate their record. This style of map was particularly popular with players who enjoyed doing “comp stomps”, where groups of players would gang up on a single A.I. Housing eight spawn locations, players would have direct access to infinite minerals and gas, feeding their war machine. To shortcut this, a map optimized for resource gathering was build. StarCraft was an incredibly challenging game, but everyone enjoyed building up a fancy base and earning the most powerful units. The four original members retained ownership and creative control over every aspect of their business, and used outside companies to assist them as their business and popularity grew. They chose to remain as independent and self-contained as possible. Field, along with bandmate Jeff Fatt and Field's brothers Paul and John, were in the pop band The Cockroaches in the 1980s as Field reported, The Wiggles adopted many of The Cockroaches' business practices. Other ventures of The Wiggles Pty Ltd included franchising their concept to South America, Taiwan, and other countries, opening "Wiggles World" sections in theme parks, and online offerings.ĭespite Anthony Field's expressed dislike of the term "branding", preferring to refer to it as "preserving the good name of The Wiggles", the group has stressed the importance of, and were protective of, their brand. In 2012, due to the effects of the worldwide recession, they cut back on much of their international expansions. In 2009, they partnered with the digital cable channel Sprout to broadcast their TV shows. By 2002, they began airing their TV programs exclusively with the ABC and became "the most successful property that the ABC has represented in the pre-school genre". They faced difficulty in producing a television show with the Australian Broadcasting Corporation, so they created thirteen episodes of a self-produced television series. The Wiggles formally consolidated their business in 2005, and consistently appeared in Business Review Weekly's yearly list of Australia's richest entertainers. They made careful decisions regarding their endorsements of toys and other products, and avoided over-extending their brand by only licensing products that correlated with their image. They did not tour with a large troupe of dancers, cast, and crew until the late 1990s, and had high expectations regarding the behaviour and attitude of everyone associated with the group. As Field stated, The Wiggles Pty Ltd was "not your regular 'corporate culture'." The group made decisions by consensus and made business decisions based upon their experience as performers and their knowledge of early childhood education. They remained as independent as possible, and retained full creative control and ownership of every aspect of their business. The group was protective of their brand, and adopted many of the same business practices as The Cockroaches, the former band of Anthony Field and Jeff Fatt, two of their founding members. The Wiggles Pty Ltd is the business created by the founders of the Australian children's music group The Wiggles. Left to right: Greg Page, Jeff Fatt, Murray Cook, and Anthony Field He can be considered as the current "King of Guitars", though nobody called him that yet.Īs of 2014, he no longer has a room in Wigglehouse, instead sleeping out on the living room couch.Original members of The Wiggles, 2004. From 2012 onward, Anthony is often seen barefooted as appeals to the people with a foot fetishism. As of 2013, he has taken over the role of lead guitarist while still playing the drums here and there.įrom 1992 - 1995, Anthony was the Green Wiggle. The last video to show him regularly playing the drums was "Celebration!". The drums however, were absent between late 19.įrom 1993 - 1996/2000 - 2012, he was the group's lead drummer. He played a variety of instruments in the older years such as the trumpet, guitars, bagpipes, violin, tin whistle,and drums. He loves to eat, but sometimes this gets him into trouble and eventualy gives him a stomach ache. He's also the first Wiggle to have a speaking role ever ( "Get Ready to Wiggle"). He has wiggled the longest ever since the band first formed (1991-present). *The Venice DLC (which containts the multiplayer component) can only be accessed from games folder. 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